publications

Jean-Christophe Baillie Certainty Color Maps Compared to Histograms. February 2002
2002
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Miranda, E. R. On the Origins and Evolution of Music in Virtual Worlds. In Peter J. Bentley and David W. Corne, editor, Creative Evolutionary Systems, Creative Evolutionary Systems, pages 189-203, Morgan Kaufmann. January 2002
2002
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Miranda, E. R. Emergent Sound Repertoires in Virtual Societies. Computer Music Journal (MIT Press), 26(2):77-90, 2002
2002
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Miranda, E. R. Sounds of Artificial Life. Proceedings of the ACM SIGCHI International Conference - Creativity and Cognition 4, October 2002 Loughborough University ACM.
2002
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Pachet, F. and Roy, P. Musical harmonization with constraints: A survey. Constraints, 6(1):7-19, 2001
2001
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Miranda, E. R. Computer-Aided Song Design: Prosody as Scaffolding. Proceedings of Annual Congress of the Brazilian Computer Science Society (SBC) - SBCM, July 2001 Universidade Federal do Ceara
2001
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Miranda, E. R. Evolving Cellular Automata Music: From Sound Synthesis to Composition. Proceedings of the Workshop on Artificial Life Models for Musical Applications - ECAL 2001, September 2001 Prague University of Economics
2001
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Miranda, E. R. Composing Music with Computers. Music Technology Series, Focal Press, May 2001 Book
2001
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E. Bilotta, E. R. Miranda, P. Pantano and P. Todd ALMMA 2001: Workshop on Artificial Life Models for Musical Applications. Italy, September 2001 ECAL, Editoriale Bios.
2001
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Pachet, F., Roy, P. and Cazaly, D. A Combinatorial Approach to Content-Based Music Selection. IEEE Multimedia, 7(1):44-51, March 2000
2000
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Miranda, E. R. Three Modelling Approaches to Instrument Design. In Richard Boulanger, editor, The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing and Programming, pages 1-11, The MIT Press. 2000
2000
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Miranda, E. R. On the Music of Emergent Behaviour: What can Evolutionary Computation bring to the Musician?. In Annie S. Wu, editor, 2000 Genetic and Evolutionary Computation Conference, pages 140-142, Las Vegas, Nevada, July 2000 University of Central Florida GECCO.
2000
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Miranda, E. R. Sobre as Origens e a Evolução da Música. Revista Eletrônica de Musicologia, 5(2), 2000 In Portuguese
2000
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Pachet, F. Les clefs d'une mélodie intéressante. La Recherche, 4, November 2000 Hors Série `Les origines de l'Art'
2000
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Pachet, F. and Delerue, O. On-The-Fly Multi-Track Mixing. Proceedings of AES 109th Convention, Los Angeles, USA, 2000 AES.
2000
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Pachet, F., Delerue, O. and Hanappe, P. Dynamic Audio Mixing. In I. Zannos, editor, Proceedings of ICMC, pages 133-136, Berlin, 2000 ICMA.
2000
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Pachet, F. Computer Analysis of Jazz Chord Sequences. Is Solar a Blues?. In Miranda, E., editor, Readings in Music and Artificial Intelligence, Harwood Academic Publishers. 2000
2000
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Pachet, F., Delerue, O. and Hanappe, P. MusicSpace goes Audio. In Roads, C., editor, Sound in Space, Santa Barbara, 2000 CREATE.
2000
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Correa, J., Miranda, E. R. and Wright, J. Categorising Complex Dynamic Sounds. Proceedigns of the XX Annual Congress of the Brazilian Computer Science Society, SBCM, Curitiba, July 2000 PUC-PR SBC.
2000
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Miranda, E. R. The Art of Rendering Sounds from Emergent Behaviour: Cellular Automata Granular Synthesis. Proceedings of the 26th EUROMICRO Conference, pages 350-355, Maastricht, The Netherlands, September 2000 IEEE.
2000
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Miranda, E. R. Regarding Music, Machines, Intelligence and the Brain: An Introduction to Music and AI. In E. R. Miranda, editor, Readings in Music and Artificial Intelligence, Contempoary Music Series (vol. 20), pages 1-13, Harwood Academic Publishers. The Netherlands, edition First August 2000
2000
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Miranda, E. R. Readings in Music and Artificial Intelligence. Harwood Academic Publisher, 2000
2000
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Pachet, F. Surprising Harmonies. International Journal of Computing Anticipatory Systems, 4, February 1999
1999
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Pachet, F. Active Listening: What is in the Air?. In Miranda, E., editor, Musica y Nuevas Tecnologias: Perspectivas para el Siglo XXI, L'Angelot. 1999
1999
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McGregor, A., Miranda, E. R. and Gawthrop, P. A Bonds Graph approach to Physical Modelling of Musical Instruments. Proceedings of XIX Annual Congress of the Brazilian Computer Science Society, SBCM (vol. 3), pages 17-26, Rio de Janeiro, July 1999 PUC-RJ SBC.
1999
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Miranda, E. R. Exploring the potential of digital life-forms: Music as emergent behaviour. Proceedings of the 1999 Australasian Computer Music Conference, pages 88-91, Wellington, July 1999 Victoria University of Wellington ACMA.
1999
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Miranda, E. R. Towards an Artificial Life Approach to the Origins of Music. Proceedings of the XIX National Congress of the Brazilian Computer Science Society, SBCM (vol. 3), pages 187-200, Rio de Janeiro, July 1999 PUC-RIO SBC.
1999
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Miranda, E. R. Modelling the Evolution of Complex Sounds. Proceedings of the AISB'99 Symposium on Creative Evolutionary Systems, pages 100-104, Edinburgh, April 1999 Edinburgh University and Edinburgh School of Art The Society for the Study of Artificial Intelligenceand Simulation of Behaviour.
1999
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1999
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McAlpine, K., Miranda, E. R. and Hoggar, S. Composing Music with Algorithms: A Case Study. Computer Music Journal, 23(1):19-30, 1999
1999
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Pachet, F. and Delerue, O. MusicSpace: a Constraint-based Control System for Music Spatialization. Proceedings of ICMC 1999, pages 272-275, Beijing, China, 1999 ICMA.
1999
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Pachet, F. and Delerue, O. A Mixed 2D/3D Interface for Music Spatialization. First International Conference on Virtual Worlds, Lecture Notes in Computer Science (no. 1434), pages 298-307, 1998 Springer Verlag.
1998
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Delerue, O. and Pachet, F. MidiSpace, un spatialisateur Midi expérimental. JIM 98, Agelonde, France, 1998
1998
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Pachet, F. Sur la structure algébrique des séquences d'accords de Jazz. JIM98, Agelonde, France, 1998
1998
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Pachet, F. and Delerue, O. MidiSpace: a Constraint-based Temporal Music Spatializer. ACM Multimedia Conference, pages 351-359, Bristol, UK, 1998
1998
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Miranda, E. R. Machine Learning and Sound Design. Leonardo Music Journal, 7:49-55, 1998
1998
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Miranda, E. R. Parallel Computing for Musicians. Proceedings of the XVIII Annual Congress of the Brazilian Computer Science Society, SBCM, Belo Horizonte, Brazil, 1998 UFMG SBC. Invited lecture
1998
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Pachet, F. and Delerue, O. Constraint-Based Spatialization. First COST-G6 Workshop on Digital Audio Effects (DAFX98), pages 71-75, Barcelona, Spain, November 1998
1998
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Pachet, F. Objets et Musique. In Roland Ducournau et al., editor, Langages et modèles à objets, Etat et perspectives de la recherche, Collection Didactique (vol. 19), pages 383-396, INRIA. 1998
1998
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Chemillier, M. and Pachet, F. Recherches et applications en informatique musicale. Collection Informatique Musicale, Hermes, 1998
1998
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Miranda, E. R. Music, Machines, Intelligence and the Brain. Journal of Electroacoustic Music, 12:32-33, 1998
1998
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Miranda, E. R. Computer Sound Synthesis for the Electronic Musician. Focal Press, Oxford, UK, 1998
1998
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Miranda, E. R. The role of speech synthesis in Requiem per una veu perduda. Organised Sound, 3(3):235-240, 1998
1998
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Pachet, F. and Delerue, O. Constraint-Based Spatialization. Sony Research Forum, Tokyo, Japan, October 1998 Sony Corporation.
1998
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Pachet, F. A Combinatorial Approach to Music Selection. Sony Research Forum, Tokyo, Japan, October 1998 Sony Corporation.
1998
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Numaoka, C. CyberGlass: A Vision-based Approach to VRML2 Interface for Portable Devices. Proceedings of the SRF97 Technical Digest, October 1997 Sony Corporation.
1997
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