publications

Roy, P., Papadopoulos, A. and Pachet, F. Sampling Variations of Lead Sheets. arXiv:1703.00760, March 2017 16 pages, 11 figures
2017
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Hadjeres, G., Sakellariou, J. and Pachet F. Style Imitation and Chord Invention in Polyphonic Music with Exponential Families. arXiv:1609.05152, September 2016 http://arxiv.org/abs/1609.05152
2016
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Moulieras, S. and Pachet, F. Maximum entropy models for generation of expressive music. arXiv:1610.03606, October 2016 https://arxiv.org/abs/1610.03606
2016
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Steels, L. Fifty Years of AI: From Symbols to Embodiment - and Back. In Lungarella, M. and Iida, F. and Bongard, J. and Pfeifer, R., editor, 50 Years of Artificial Intelligence, Essays Dedicated to the 50th Anniversary of Artificial Intelligence, LNAI (vol. 4850), pages 18-28, Berlin, 2007 Springer Verlag.
2007
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Steels, L. How to do Experiments in Artificial Language Evolution and Why. In Cangelosi, A., Smith A. and Smith K., editor, Proceedings of the 6th International Conference on, London, 2006 World Scientific Publishing.
2006
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Steels, L. Semiotic Dynamics for Embodied Agents. IEEE Intelligent Systems, 21(3):32-38, May/June 2006
2006
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P-Y. Oudeyer The Self-Organization of Speech Sounds. Journal of Theoretical Biology, 233(3):435-449, 2005
2005
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P-Y. Oudeyer, F. Kaplan, V. V. Hafner and A. Whyte The Playground Experiment: Task-Independent Development of a Curious Robot. In Bank, D. and Meeden, L., editor, Proceedings of the AAAI Spring Symposium on Developmental Robotics, 2005, pages 42-47, Stanford, California, 2005
2005
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Oudeyer, P-Y. Aux sources du langage : l'auto-organisation de la parole. Cahiers Romans de Sciences Cognitives, In Cognito, 2(2):1-24, 2005
2005
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P-Y. Oudeyer L'auto-organisation de la parole. University Paris VI, 2003
2003
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Westermann, G. and Miranda, E. R. Integrating Perception and Production in a Neural Network Model. Proceedings of the 7th Neural Computationa and Psychology Workshop, 2002 UK World Scientific.
2002
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Bilotta, E., Miranda, E. R., Pantano, P. and Todd, P. M. Artificial Life Models for Musical Applications: Workshop Report. Artificial Life, 8(1):83-86, 2002
2002
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Miranda, E. R. Emergent Sound Repertoires in Virtual Societies. Computer Music Journal (MIT Press), 26(2):77-90, 2002
2002
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Miranda, E. R. Sounds of Artificial Life. Proceedings of the ACM SIGCHI International Conference - Creativity and Cognition 4, October 2002 Loughborough University ACM.
2002
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Miranda, E. R. Mimetic Development of Intonation. Proceedings of the 2nd International Conference on Music and Artificial Intelligence (ICMAI 2002), Springer Verlag - Lecture Notes on Artificial Intelligence. September 2002
2002
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Miranda, E. R. Automatic Sound Identification based on Prosodic Listening. Proceedings of 17th International Congress on Acoustics, September 2001 Universita di Roma La Sapienza
2001
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Miranda, E. R. Evolving Cellular Automata Music: From Sound Synthesis to Composition. Proceedings of the Workshop on Artificial Life Models for Musical Applications - ECAL 2001, September 2001 Prague University of Economics
2001
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E. Bilotta, E. R. Miranda, P. Pantano and P. Todd ALMMA 2001: Workshop on Artificial Life Models for Musical Applications. Italy, September 2001 ECAL, Editoriale Bios.
2001
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Kaplan, F. Free creatures: The role of uselessness in the design of artificial pets. In Christaller, T. and Indiveri, G. and Poigne, A., editor, Proceedings of the 1st Edutainment Robotics Workshop, September 2000 GMD-AiS
2000
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Kaplan, F. Semiotic schemata: Selection units for linguistic cultural evolution. In Bedau, M and McCaskill, J. and Packard, N. and Rasmussen, S., editor, Proceedings of Artificial Life VII, pages 372-381, Cambridge, MA, 2000 The MIT Press.
2000
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Miranda, E. R. On the Music of Emergent Behaviour: What can Evolutionary Computation bring to the Musician?. In Annie S. Wu, editor, 2000 Genetic and Evolutionary Computation Conference, pages 140-142, Las Vegas, Nevada, July 2000 University of Central Florida GECCO.
2000
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Miranda, E. R. Sobre as Origens e a Evolução da Música. Revista Eletrônica de Musicologia, 5(2), 2000 In Portuguese
2000
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Miranda, E. R. The Art of Rendering Sounds from Emergent Behaviour: Cellular Automata Granular Synthesis. Proceedings of the 26th EUROMICRO Conference, pages 350-355, Maastricht, The Netherlands, September 2000 IEEE.
2000
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Miranda, E. R. Regarding Music, Machines, Intelligence and the Brain: An Introduction to Music and AI. In E. R. Miranda, editor, Readings in Music and Artificial Intelligence, Contempoary Music Series (vol. 20), pages 1-13, Harwood Academic Publishers. The Netherlands, edition First August 2000
2000
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Miranda, E. R. Readings in Music and Artificial Intelligence. Harwood Academic Publisher, 2000
2000
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Miranda, E. The artificial life route to the origins of music. Scientia, 10(1):5-33, 1999
1999
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Miranda, E. R. Exploring the potential of digital life-forms: Music as emergent behaviour. Proceedings of the 1999 Australasian Computer Music Conference, pages 88-91, Wellington, July 1999 Victoria University of Wellington ACMA.
1999
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Miranda, E. R. De los origenes de la musica a la vida artificial. In E. Miranda, editor, Musica y nuevas tecnologias: Perspectivas para el siglo XXI, pages 149-168, ACC L'Angelot. Barcelona, 1999
1999
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Miranda, E. R. Towards an Artificial Life Approach to the Origins of Music. Proceedings of the XIX National Congress of the Brazilian Computer Science Society, SBCM (vol. 3), pages 187-200, Rio de Janeiro, July 1999 PUC-RIO SBC.
1999
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1999
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Miranda, E. Striking the right note with ARTIST: an AI-based synthesiser. In Chemililier and Pachet, F., editor, Recherches et applications en informatique musicale, Hermès. Paris, 1998
1998
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Miranda, E. R. Machine Learning and Sound Design. Leonardo Music Journal, 7:49-55, 1998
1998
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Miranda, E. R. Music, Machines, Intelligence and the Brain. Journal of Electroacoustic Music, 12:32-33, 1998
1998
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Steels, L. The Artificial Life Roots of Artificial Intelligence. Artificial Life Journal, 1(1):89-125, 1994
1994
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